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ABOUT
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Featured Work
Recent Production Work
Conducted Interviews
Social Media + Copy
Film Work
Film + Media Analysis
ABOUT
CONTACT
Exploring Body Horror at TIFF 2024
2024
5 Reasons Why 'Monkey Man' is a GAME CHANGER
2024
TIFF 2024 Films That I Can't Stop Thinking About
2024
Sarwat Gilani talks Joyland, #MeToo, & More
2023
Brown Face in the film, 'The Party' (1968)
2024
Where Does Pakistani Cinema Stand Outside of Pakistan?
2022
The Importance of South Asian Film Festivals
2023
How "Ms. Marvel" Rewrote the South Asian Muslim Story
2022
'The Fame Game" & Its Look at Nepotism in Bollywood
2022
'Song of Lahore': Remaining Post-Colonialist Ideals
2022
Video Essay — Barjatya & Bollywood's Family Film Genre
2021
Persepolis & An Irani Female Protagonist
2019
'Dilwale Dulhania Le Jayenge' & Music Motifs
2018
Polar Ends of Bollywood: Barjatya VS Kashyap
2021
The Bachelor & its Call for Condemning Racism
2021
Censorship within Qatar Film Festivals
2019
© 2025 Aneesa Asim Khan